Erwin J. Haeberle “Paraphilia” - A Prescientific Concept
One can demonstrate this, for example, by looking at the “scientific” and
professional terms used at different times for various sexual behaviors. The
most obvious case in point: Some of the terminology introduced by our
sexological pioneers is now widely considered obsolete. When we try to find
out why this change has occurred, we learn that it is not simply due to
scientific progress. We also discover and have to understand a rarely
discussed underlying fact of cultural history: Scientific endeavors can be,
and often are, subject to non-scientific influences - religion,
social taboos, civil and criminal laws, partisan politics, intellectual fads
and fashions, lobbying by powerful interest groups, research funding
opportunities, health insurance policies, the print media, film and
television, the internet, and many, many more.
Looking back, one can make one preliminary general observation: In our
Western secular societies, the non-scientific influences have, in one way
or another, reinforced two large cultural trends - the criminalization and
the medicalization of human sexual behavior. Both of these trends have their
own fascinating histories, but this is not the place to delve into them. Let
it suffice to say that, over the years, there have also been corresponding
counter-trends, i.e. efforts to de-criminalize and de-medicalize. As for the
latter effort, psychiatrists have been found on both sides of the issue:
Sometimes they have been veritable “missionaries of medicalization”,
enlarging their manuals by adding new diagnoses, at other times they have
supported the counter-trend and reduced their number. On the whole, however,
the tendency has been toward reduction: Today, the diagnoses are fewer, more
specific, and more precise. In any case, all of these ideological battles,
professional power struggles, minority liberation movements, technological
innovations, the present electronic revolution, and other non-scientific
influences have played a role in shaping our ideas about human sexuality,
and they have also left their traces in our professional terminology -
directly or indirectly, for good or for ill.
At the present time, in preparation of a new
edition of the Diagnostic and Statistical
Manual (DSM V) of the
American Psychiatric Association (APA),
the old term “paraphilia” has, rather belatedly, become subject to critical
examination and vigorous debate.
Actually, to any critical observer with a
background in philology and philosophy the term has always appeared
moralistic and thus prescientific on its face. Thus, for scholars outside
the field of sexology, it has always been hard to understand why
“paraphilia” has not been discarded years ago along with other ideological,
imprecise or misleading terms such as “perversion”, “deviation”,
“premature ejaculation”,”coitus interruptus”,
“sexual surrogate”, “birth control”, “opposite sex”, and the like. For
details, click
here.
However, with a few notable exceptions, sexologists, especially those who
are also physicians and psychiatrists, have never been very sensitive to the
nuances of language or to the origins and precise meaning of a word. Most of
them, like many other specialists, have little interest in etymology and
semantics. Once a professional jargon has been widely accepted, they usually
cling to it, no matter how often it has been proven to be impractical,
illogical, nonsensical, or plain wrong. In this respect, even some radical
sexologists are curiously conservative.
Turning now to the subject at hand:
A typical “progressive”, “enlightened” example can
be found in a recent textbook:
And why this emphasis on copulation as the
ultimate goal of sexual activity and its only valid justification?
After all, we know that sex therapists often advise aging couples to “explore
non-coital forms of lovemaking” when
erection and lubrication problems make vaginal intercourse difficult. Are
such therapists encouraging paraphilic behavior? Are they luring their
clients into dark sexual side alleys and away from the one and only shining
path to erotic fulfillment? Do the clients really need potency pills and
artificial lubricants so they can copulate and thus find a “true love” that
psychiatrists can approve of?.
On a more mundane level: The above textbook definition also makes
paraphilias out of consensual exhibitionism of a sort that is becoming
increasingly popular today: Watching each other masturbate over long
distances per PC cam. This way, “voyeurs” and “exhibitionsts” can please
each other, either as a result of their own direct personal initiative or
through larger “amateur” web sites. Indeed, one may very well wonder
whether, with the new electronic means of communication, the old stereotypes
of “peeping Toms” and “flashers” will have much of a future. After all, it
is likely that more and more “ordinary” people will take advantage of the
internet where they can expose themselves and watch others with little
effort, no risk of being arrested, and at practically no cost to themselves.
An urge to do so seems more common than previously suspected, because the
large number of such videos online suggests that both demand and supply are
considerable and may be growing.
Actually, many internet users don’t even need the excitement of
interaction, but are content with looking at the many freely accessible
porno videos as aids to solitary masturbation. This seems increasingly
common among male teenagers, but also among older males, single or married.
Does anyone seriously propose that all of them are paraphiliacs? Some
psychiatrist might answer that, no, this activity is not necessarily
paraphilic as long as it is not exclusive and remains a mere substitute for
a desired, but unavailable actual copulation. However, I am not convinced by
such hair-splitting arguments. After all, who is going to be the ultimate
arbiter here? Who can determine what is substituting for what, and what is
temporary and exclusive and why? To me, any claim to certainty in this
matter looks like professional arrogance and deliberate blindness - a
refusal to see the whole spectrum of today’s sexual realities.
And what about internet prostitution? Here the participants can see and
perhaps also hear but never touch each other. In other words: There is no
chance for any kind of actual copulation. It has therefore been argued that
internet prostitution is also paraphilic. This does not make sense to me,
because it is just a new version of a very old business. By the way, does
the concept of paraphilia apply here to both the prostitute and the
customer? For details, click
here
and
here.
Moreover:
1. What is phenotypically normal? Is someone paraphilic, because he falls in
love with (i.e. feels an intense and persistent sexual interest in) someone
who has all symptoms of Turner or Klinefelter syndrome? Or are these
desired partners phenotypically normal? If they are, what about PAIS or
CAIS? Where exactly do you draw the line? Was the wife of the
philosopher Moses Mendelssohn
paraphilic, because she fell in love with a hunchback?
2. What exactly is meant by the word adult? Anyone over 18? Over 21? After
all, legal adulthood is reached at different ages in different countries.
Does anyone want to establish a special psychiatric adulthood that applies
everywhere to every person at all times? If so, what age should one choose?
Was the Roman emperor Hadrian paraphilic, because he felt an intense and
persistent sexual interest in the 16 year-old Antinous who, as it
happens, died at age 20 and thus never reached adulthood? Or did he? Did
male adulthood in imperial Rome already begin at age 16? Or even
earlier? (2)
In that case, was Hadrian’s infatuation never paraphilic at all? Or
should one retroactively postulate a difference between legal and
bio-psychological adulthood even in ancient times? If so, was Hadrian
perhaps a paraphiliac for the first 2 years of the relationship, but not
for the last 2 years? How relevant is all of this anyway, and to whom?
Why should anyone care? Why should we need a psychiatric label for one
of the greatest love stories of all time?
Hadrian
(76-138) and his beloved Antinous (110-130).
And what about Shakespeare’s Romeo
and Juliet who felt an intense and persistent sexual interest in each
other and never reached adulthood? (OK, I guess this one doesn’t count,
because both were presumably of roughly the same age.) But let’s consider
another teenage couple - Romulo (18) and Jeanette (13). Romulo could, of
course, very well face criminal charges (“statutory rape”). In the present
context, however, something else is more relevant: Since he is five years
older and, according to many, an adult, some would consider his feelings
paraphilic and call him a “hebephile“ (from Gr. hebe: young).This is
a fancy new term for people (mostly men) who feel sexually attracted to the
young around the age of puberty and shortly thereafter (13-16 years).
According to most writers, the objects of such adult desire can be teenagers
of both sexes, but others restrict the term to the desire for young males.
In this latter case, they may also call it “ephebophilia” (from Gr.
ephebos: adolescent), but sometimes both terms are used interchangeably
or with still other meanings. At this time, the usage is not firm.
(3)
For a comment, let us skip here the obvious, well-worn example of ancient
Greek “paiderastia” and simply state: No ancient classical text,
including the Bible, has ever found the attraction of adults to sexually
maturing or mature youths to be odd, rare, or otherwise remarkable in any
way. At that age, most of the young had passed their initiation rites and
had been accepted as full members of their communities (example: Bar and Bat
Mitzvah). Indeed, throughout most of human history, millions of adult men
have married young teenage brides. Hebephiles - and thus paraphilicas - all?
Georg Christoph Lichtenberg
(1742-1799)
In Lichtenberg‘s lifetime, Mozart wrote his operas „Le Nozze di
Figaro“ and „Don Giovanni“. In the first of these, based on a
popular play, the page Cherubino
is just reaching puberty (he must be assumed to be between 13-15 years old).
He pursues every female in sight with confessions of love, including a
married countess, the wife of his employer. This sub-plot greatly amused the
audience at the time and still does today whenever the opera is performed.
(5)
Here it is clearly the young adolescent who takes the sexual initiative.
Even before his voice change, he desires an adult woman. Should we therefore
call him paraphilic?
And what about Don Giovanni in Mozart’s opera? He chases every skirt he
sees, but, according to his servant Leporello, who is keeping a list of his
master’s exploits, “sua passion predominante è la giovin principiante”.
For 18th-century opera lovers this revelation hardly came as a
shock or even as a surprise. Quite the contrary: For them, it confirmed that
the Don’s behavior, while aggressive, excessive and perhaps compulsive, was
“normal” in at least one respect - the choice of his erotic victims. In
spite of his many unattractive traits, this was something with which the
males in the audience could always identify. Apart from this “typical” male
sexual orientation, however, Mozart and da Ponte have created here an
enigmatic, complex stage figure. Alternately charming and ruthless, a
well-mannered egotist and courageous nihilist, Don Giovanni has, over two
centuries, inspired many different interpretations. But do we really
understand his character (and the thus whole opera) better, if we now also
call him a hebephile?
Now many psychiatrists might argue that they would not use the
term “hebephile” for Don Giovanni and for every one of the millions of men
who, in the past, married young teenage brides. After all, they usually
continued their sexual relationships as the brides reached adulthood and
even middle age, and many of the men also copulated with mature women
(According to Leporello, Don Giovanni bedded many hundreds of females in
many countries, in Spain alone 1003. It stands to reason that the majority
of them must have been adults). Therefore, the psychiatrists might say, one
cannot conclude that these men had an overwhelming preference for teenage
girls. Some may have had such a preference, but one can no longer be sure.
Anyway, there was no way, even at the time, to distinguish a “hebephile”
from all the others, because “everyone was doing it”, and most men probably
did not do it for paraphilic reasons, but simply because it was a
traditional custom.
An interesting argument, but one that raises a number of new questions: When
a whole society observes the custom of having adult men marrying teenage
brides, what sense is there in speaking of hebephilia and hebephiles at all?
Which criteria could be used to distinguish them from the other men? And why
would one try to do that in the first place? What practical purpose could it
possibly serve?
But back to Shakespeare‘s tragedy:
We know that the Elizabethan theater did not have actresses and that
Juliet – like all other female
roles – was played by a „boy
actor“, i.e. by a boy before his voice change, probably between the ages
of 12-15. This gave the plays a special
fascination, indeed an erotic allure no longer permitted today when the new
word “hebephilia” has become a handy term of accusation and condemnation.
And let’s not forget that Shakespeare and his theater had serious
competition in the very popular „children’s companies“, consisting entirely
of boys. Chosen for their handsome looks, they performed major dramatic
works by important authors. Obviously, their audiences enjoyed the
androgynous charm of these boys, which combined the last traces of childhood
“innocence” with the first signs of an incipient sexual maturation. Seeing
this unique, transitory blending of traits recaptured on the stage, had a
special appeal for the spectators. Before their very eyes, this
all-too-fleeting phase of their own physical and psychological transition
from childhood to adolescence sprung back to life, regardless of the content
of the play. It was something that no adult actor could match.
The drama of „Romeo and Juliet“, of course, offered an additional
attraction, because the actor playing
Romeo was, in all probability,
only slightly older than the one playing
Juliet.
In the love scenes, therefore, one saw two tender youngsters of the
same sex interacting – one before and the other after the voice change. (If,
for some internal company reason, the role of
Romeo was given to a more mature
adolescent or even an adult, this did not change Shakespeare’s intentions in
writing the play.)
Anyway, we can safely assume that the homoerotic overtones of these scenes
were well appreciated by the audience.
Indeed, Shakespeare knew how to use this and similar effects for the success
of his theatrical enterprise. A good
example is his comedy „As you like it“, which deliberately plays with
sexual ambiguities: The girl Rosalind,
played by a boy actor, pretends to be a boy named Ganymede. In a
courtship scene, this „boy“ is then
asked to pretend that he is a girl. In response, and still wearing his male
costume, “he” changes his hitherto “masculine” demeanor by quickly adopting
clearly “feminine” gestures. As a result, s/he is passionately wooed as the
supposedly “original” female. But for the boy acting the part, even this
“original femaleness” was never more than a pretense in the first place.
Thus, to the delight of the audience, the whole love scene operates
simultaneously on several oscillating levels: A boy plays a girl who plays a
boy who plays a girl. This kind of erotic sophistication cannot be recreated
today, no matter how good our modern actresses are.
The commercial success of this sexually ambiguous „double character“
Rosalind/Ganymede prompted Shakespeare to repeat it in his comedy „Twelfth
Night“. Here, a „boy actor“
plays the girl Viola, who adopts the role of a boy named
Cesario, who soon
becomes the love object of a woman.
(6)
In short, Shakespeare deliberately used the physical charms of boy
actors for artistic purposes, and these were well appreciated by his
audiences. Does this make all of
them hebephiles?
As this example shows, sexual interests can very well be shaped by cultural influences, and by the way, the name Ganymede in the first-mentioned comedy was a deliberate hint at an underlying meaning of the role, and Shakespeare’s audiences did understand this hint: In ancient Greek mythology, Ganymede was “the most beautiful of all youths”, beloved and abducted by Zeus, who desired his constant presence and therefore made him his cup bearer. Does this mean that Zeus was a “hebephile”? A historical look at another “paraphilia” may be useful here - foot fetishism. As we all know, imperial China, for over 1000 years, had a tradition of crippling female feet. This so-called foot-binding is said to have had an erotic component: Small feet made a woman sexually more desirable. Indeed, her “lotus feet” were supposed to provoke and heighten male arousal. Whether this was actually true and, if so, for how many men, will now forever remain a subject of speculation. Only one thing is certain: In the case of imperial China, it makes no sense at all to speak of “foot fetishism” as a paraphilia and to distinguish “foot fetishists” as a special group from of the rest of the population. The belief in the erotic attraction of artificially produced small female feet was so deeply embedded in Chinese culture, that such a distinction would have been considered not only pointless, but absurd. For details, please, click here. “Lotus-Shoes”
The Chinese erotic ideal was
a small, crippled female foot of ca. 3 inches in length, the so-called Lotus
foot.
As this example shows, the general acceptance of certain sexual interests as “normal” determines their moral evaluation. It goes without
saying that cultural factors are also operating in our Western world today,
although they are very different from those in imperial China.
Indeed, these factors now shape our
perception of adult sexual interest in teenagers as „hebephilia”, an utterly
inappropriate reaction to love objects that are now “forbidden”. In this
respect, our distant forebears had very different attitudes, but, in the
meantime, our culture has changed. An awareness of this change is essential
to a proper understanding of the issue. It should warn us to be very
cautious, when we try to formulate „objective“ criteria for the evaluation
of human sexual behavior.
This does not mean that psychiatrists could not and should not intervene in
certain concrete situations. However, they will be able to do so more
effectively if they refrain from sweeping claims and absolute pronouncements
based on unacknowledged moral convictions.
This brings us to the term “paraphilia” itself: It is, and will always
remain, prescientific - a negative value judgment, not an objective
description of facts. Psychiatrists do not do themselves any favors by
adopting such moralistic terms. If they want respect in the future, they’d
better look for new, more neutral expressions. I don’t mean to be picky or
negative. I just think that my esteemed colleagues, careful and serious as
they are and driven by the noblest motives, are fighting a lost cause as
long as they cling to this outdated term.
If I may quote myself from my
Critical Dictionary:
paraphilia.
(gr. "next to" & "love", i.e. second-class love) …a term now preferred over
the older "perversion", "aberration" and "deviation" which have fallen into
disfavor as too harsh and ideological. However, the new term does not really
represent any intellectual progress, since it also assumes and implies the
existence of a "real", "true","natural", and "correct" love (philia) which
has sisters of minor rank standing next, behind, or below it, just as the
paramedical personnel stands behind or below the "real" doctor.
Scientifically speaking, this is an unwarranted assumption. Professionals in
any field should clearly and openly state the reasons for their disapproval
in each individual case. These reasons will prove convincing in some cases,
but in other cases they may very well turn out to be no more than
prejudices.
In other words: Anyone who uses a term like
“paraphilia” thereby indirectly claims to know what is right and wrong in
human sexual behavior. The same is true of the word “disorder”. Again, the
speaker claims to know the one and only correct order. Such a claim may make
some sense when one talks about the human body and its functions, although,
as the cases of indeterminate physical sex remind us, even here the term can
be controversial. For example, some well-meaning physicians have, in
reference to intersexuality, introduced the term “Disorders of Sex
Development (DSD)”. Not surprisingly, this did not sit well with the
intersexuals who felt denigrated by such a pejorative characterization.
Therefore, they have, in direct response, suggested the less judgmental
expression “Differences of Sex Development (also DSD).
Some Historical Notes
In the 4th century A.D. the Roman emperor Constantine I (“the Great”)
converted to Christianity on his deathbed, and,
under his successors, it became the official state religion.
As a consequence, even the
furthest reaches of the state eventually adopted the Christian doctrine of
human sexual behavior. This doctrine combined older Jewish traditions with
certain ascetic “pagan” philosophies und survived the decline and fall of
the Roman Empire. Indeed, it dominated not only Europe, but the entire
Western world and its colonies until well into the Modern Age.
Constantine I
(ca. 280-337)
In the Christian view, sexual activity was justified only for the purpose of
procreation. All forms of sexual behavior that did not serve this goal were
sinful. Some of them, like oral or anal intercourse or sexual contact
between men or with animals, were considered so offensive and outrageous
that, for many centuries, they were severely punished as “crimes against
nature.” It was not until ca. 200 years ago that some European countries
began to remove religious influences from their penal codes. Little by
little, the secular state stopped paying attention to the old sexual
„abominations“. As long as no one was hurt, the police and the courts no
longer tried to intervene.
Where the law retreated, medicine soon moved in
and took its place. The emerging, ambitious profession of psychiatry
transformed the old sins and vices into diseases, and thus the old
„abominations“ were reborn as „sexual psychopathologies”. Indeed, the
psychiatrists even continued to use the old religious vocabulary and spoke
of „perversions“, „aberrations“ and „deviations“. In
both Catholic and Protestant doctrine, these terms had referred to „false“
beliefs, but now they meant „false“ sexual behaviors. Thus, the former
heretics turned into modern patients. Instead of punishment, they needed
therapy.
Carl Westphal
(1833-1890)
A prime example of this development is the psychiatric illness
„homosexuality“, invented in 1869 at the Berlin medical school
Charité by the „modern“
psychiatrist Carl Westphal. The university‘s conservative „establishment“
(Rudolf Virchow and his colleagues) had, in the same year, refused to
recognize sexual contact between males as a medical problem, but the new
“progressives” like Westphal, and especially von Krafft-Ebing, soon
convinced themselves that the “contrary sexual feeling” was a proper subject
for their fast expanding
specialty. As
a result, for over a century, the Western, Christian world subjected
„homosexuals“ to medical treatment until, in 1973, American psychiatrists
finally removed the diagnosis from their official handbook (DSM
III).
Friedrich Salomon Krauss
(1859 -1938),
2. From „perversion“ to „paraphilia“
Indeed, when average citizens search the internet for the term „paraphilia“,
they find definitions that fail
the most basic tests of objectivity. The
wording is usually unspecific and vague or even tautological. For example,
some authors offer definitions like these: “Paraphilia
is the experience of intense sexual arousal to atypical objects, situations,
or individuals”
or
“Paraphilias,
or sexual deviations, are defined as unusual fantasies, urges, or behaviours
that are recurrent and sexually arousing”
.
The key terms here are “atypical”,
“unusual”.
In other words, the authors claim to know what is “typical” or “usual” in
human sexual behavior. But how do they know this? After all, many human
activities are “atypical” or “unusual” without indicating a psychological
disturbance, such as mountain climbing in the Himalayas, a bicycle tour
around the world, entering a monastery, breeding orchids, or collecting
porcelain thimbles. And sexual behavior does not allow for such healthy
idiosyncrasies? Why not?
Another definition of
paraphilia states that it is “a
condition, in
either men or women, of compulsive responsivity and obligatory dependence on
an unusual or personally or socially
unacceptable external stimulus or internal fantasy for sexual arousal or
orgasm”.
This author does not seem to realize
that what is “socially acceptable” varies with the societies in question,
i.e. with time and place. Still other definitions are meaningless, empty
phrases, for example the assertion that a paraphilia is “any
abnormal sexual attraction”. (What a “normal” attraction could be is
left to silent assumptions.) And then there is this triple tautology: “Paraphilias
are a variety of complex psychiatric disorders which are manifest as deviant
sexual behaviour” .
(7)
In other words: Paraphilias are disorders expressed in deviant
behavior. This is like saying that an extramarital affair amounts to
cheating on the spouse and is therefore manifest as adultery.
In all of the above cases we are dealing with something that critics have
called “psychiatric bullshit”.
(8)
There is no way around it: The word “paraphilia” is just as ideological and
prescientific as the traditional religious terms it was meant to replace. It
expresses a negative value judgment; it does not describe an objective fact.
Psychiatrists undermine their own cause when they use such moralizing
terms. Furthermore:
Many people remember the time when psychiatrists considered solitary
masturbation and homosexual behavior to be symptoms of psychopathology, i.e.
sexual disorders. Indeed, the Catholic Church is still
upholding part of this tradition when it declares in its current catechism
that "homosexual acts are intrinsically disordered”. In support
of this opinion, the authors cite the doctrine of Natural Law. For a
discussion of this doctrine, click
here.
To us modern sexologists, however, it should be clear by now that the
Natural Law doctrine has no place in science. It should therefore be equally
clear that the term “disorder” is no longer acceptable when it comes to
something as complex as human sexual behavior. Scientists should leave such
moral certainty (better: dogmatism) to the religious authorities.
In conclusion: We in sexology should, once and for all, get rid of the
moralistic, prescientific terms “paraphilia” and “disorder”. Instead, we
should worry about behaviors that cause distress or impairment in the
individuals concerned or/and cause harm to others. Here, we should seek (and
I’m sure we will find) morally neutral, purely descriptive terms, which, in
the end, will strengthen, not weaken, the authority of psychiatrists and
others who might be asked for interventions.
Perhaps something like “erotic interests that may profit from or require
therapy”, or “sexual urges that demand control or intervention“. I am not a
classicist, but one of our colleagues who is fluid in Greek and Latin could
probably come up with a new, appealing Greek or Latin term that does not
prejudge the issues before one even looks at them! If this new, appropriate
term sounds both erudite and snazzy enough, it will be accepted by the
psychiatric profession. Then everybody will be happy, and the present
useless, endless, and often acrimonious debate will come to a harmonious
end.
Amended Nov. 2016
EJH
Notes
(1)
The Diagnostic and Statistical Manual of Mental
Disorders (DSM-IV-TR); American Psychiatric
Association, 2000 defines ‘‘paraphilias,’’. as “conditions which
…are characterized by recurrent, intense sexual urges, fantasies, or
behaviors that involve unusual objects, activities, or situations…’’ (p.
535).
(2)
In ancient Rome, male adolescents at the ages of
15-16 years were allowed to wear the
toga as a sign of their
adulthood. On the other hand, they did not reach the full maturity of
citizens (plena maturitas) until the age of 25. Robert Kastenbaum
(ed.), Encyclopedia of Adult Development, Oryx Press, Phoenix AZ
1993, p.31
(3)
The British pediatrician
James M. Tanner
(1920- 2010) was the first to propose a
measurement of human sexual development, the now so-called
Tanner Scale
or
Tanner
Stages. Using this scale, Ray
Blanchard and his colleagues - see above (3) – suggest the following age
groups for their definitions:
Pedophilia
(prepubescent children on
Tanner
-Stage 1.
Age
generally 10 or younger),
(4)
A few years ago, the story was turned into a novel:
Gert Hofmann, Die kleine Stechardin, 1994, engl:
Lichtenberg and the
Little Flower Girl,
2004
(5)
Die “trouser role” of Cherubino
is written for a soprano/mezzo , i.e. for someone before the voice change.
If Mozart had intended to portray an adolescent
after
the voice change, he would have written the part for a light tenor, such as
required for the role of Pedrillo
in the „Abduction from the Seraglio“. In any case, the play on which the
opera is based, clearly demands an actor at the beginning of puberty. Most
importantly, a „trouser role“ played by a woman creates a similar - if
opposite - effect
of the kind already used by Shakespeare
(see above in my text
„As
you like it“). In one of the scenes of
Mozart‘s opera,
Cherubino
is dressed in women’s clothes: A female plays a male who plays a female.
By the way:
The play on which Mozart’s „Figaro“ is
based was the second in a trilogy written by Beaumarchais: „Le
barbier de Seville“, „Le mariage de Figaro“
and
„La mère coupable“.The
first of the three comedies was turned into an opera twice, first by
Giovanni Paisiello (1782) and again by Gioachino Rossini (1816): „Il
barbiere di Siviglia“.) There is no
operatic
version of the third play, but it reveals
that, at some later time,
Cherubino
had impregnated the countess.
The effect of
Cherubino’s
„trouser role“ was later recreated on a grander scale by Hugo von
Hofmannsthal and Richard Strauss for the male title role of their opera „Der
Rosenkavalier“, which had its premiére
in Dresden 1911. Here, the 17-year-old, androgynous count
Rofrano,
sung and played by a woman, is dressed
in women’s clothes for a key scene in Act I and again for most of Act III (a
female playing a male playing a female). As the curtain rises, he is seen
lying in bed with the married princess Werdenberg (the “Marschallin”).
Just before - with the curtain still closed - Strauss’ short orchestral
introduction had very drastically illustrated their coitus in “in real time”
– from the young man’s erection and penetration and his all-too hasty coital
movements to his ejaculation, clearly and very noticeably made audible by
the orchestra. This music, reflecting Strauss’ perhaps somewhat crude
Bavarian humor, is both funny and witty, because the actual coitus lasts
only 1 minute and 10 seconds. Then follows a last loving embrace, and the
remaining 2 minutes describe the young count’s blissful exhaustion after his
orgasm. Thus, even before the actual opera begins, and by strictly musical
means, the composer signals the sexual inadequacy and inexperience of his
youthful hero. This, in turn, casts an interesting light on the following
action. Unfortunately, most opera directors today do not listen to the
introductory “lovemaking” music, which seamlessly continues as the curtain
rises. Thus, they fail to notice or do not understand the musical joke. Some
of them may also be tone deaf or too prudish to understand it. (The censors
in the first Berlin performance did understand it and demanded changes.)
Thus, these incompetent directors promptly ruin the opening scene. (When we
first see him, still lying in bed,
Rofrano
should
not wear
trousers, because he is still cuddling with the princess and had no time to
put them on. If you faithfully follow the music and the text, he cannot wear
anything but a long shirt with (apparently) nothing underneath, but covering
his private parts.
(6)
Similar roles for “boy actors” in Shakespeare’s plays are:
Sylvia (Two Gentlemen of
Verona) as well as Portia, Nerissa and Jessica (The Merchant
of Venice) and Imogen (Cymbeline).
(7)
From
Encyclo.Co. UK, all quotes found here:
http://www.encyclo.co.uk/meaning-of-Paraphilia (8) Niall McLaren, Psychiatry as Bullshit, in: Ethical Human Psychology and Psychiatry, Volume 18, Number 1, 2016, pp. 48 – 57. See also the seminal book by Harry Frankfurt, On Bullshit. Princeton, N.J.: 2005. |