Course 5
Example: Women
The Victorian Ideal
Male Fears
Male Fears
關鍵概述-性健康的含義

什麼是性健康?

舉例:婦女的性健康-男性的恐懼

秉持性滿足的婦女通常被人認為是女色情狂”(nymphomaniacs,在中國俗稱為花癡”——譯者注),她們曾被迫接受為抑制性欲而專設的醫學治療,甚或被送到了精神病院。另一方面,婦女的性快樂潛能,這種在同一時代不被承認和被畏懼的客觀現象,曾使男人們極度地恐慌。直到完全跨入了20世紀早期,這種狀況在許多文學、藝術和歌劇作品中都直白地表露無遺。斯特林堡(Strindberg)、魏甯葛(Weininger), 魏德金(Wedekind)亨利希·(Heinrich Mann)的劇本、專題文章和小說證實了男人們無法抵禦的這種恐懼。他們描述道:蕩婦們(vamps)” ,也就是說那些像貪得無厭的吸血鬼樣的女人,吸幹了男人們的精華,糟蹋和摧毀了男人們的身體。不僅由奧斯卡王爾德(Oscar Wilde)編寫的劇本《莎樂美》(莎樂美-Salome為新約中希羅底之女、希羅安提帕之侄女,她狂愛著施洗者聖約翰並以舞蹈向安提帕換來施洗者聖約翰的頭顱,並與游離的頭顱親吻;施洗者聖約翰為猶太先知,在《新約》中為創業耶穌施洗禮並排除障礙,但拒絕了莎樂美的愛而遭到滅頂之災。——譯者注),由理查斯特勞斯(Richard Strauss)譜曲的歌劇,由魏德金(Wedekind)亨利希·(Alban Berg)的戲劇中刻畫的露露(Lulu)這樣的女人,而且馬琳·黛德麗(Marlene Dietrich)在電影藍色天使(The Blue Angel)”中塑造的洛拉(Lola)” 都體現了這種男人們的夢魘。然而,在官方的語言中,女性的性健康融匯於端莊之中,也就是說,所謂的端莊就是沒有性欲。現今,人們依然認為女性有與上述完全相同的情形——堅持性滿足時則需要治療。

奧斯卡王爾德的劇本《莎樂美》(1891)理查斯特勞斯逐字逐句地譜成歌劇 (1905)。莎樂美愛上了施洗者聖約翰,而施洗者聖約翰拒絕了她的求愛。然而,一旦他的頭顱被割掉後,她成功地親吻了他。

Oscar Wilde’s play “Salome” (1891) was set to music word for word by Richard Strauss (1905). Salome loves John the Baptist who rejects her. However, once his head has been cut off, she succeeds in kissing him.

根據亨利希·(Heinrich Mann)的小說(1905)改編的電影藍色天使”(1930)中的一個鏡頭。馬琳·黛德麗飾演一個夜總會歌女,因為禁不住老是與其他的男人墜入愛河,因而毀了她丈夫的生活。其丈夫Emil Jannings從前是一位令人尊敬的教師。

Scene from the film “The Blue Angel” (1930), based on a novel by Heinrich Mann (1905). Marlene Dietrich plays a nightclub singer who ruins the life of her husband, a formerly respectable teacher (Emil Jannings), by always “falling in love again” with other men, because she “can’t help it”.
Critical Introduction - The Meaning of Sexual Health

What is Sexual Health?

Example: The sexual health of women - Male fears

Women who insisted on their sexual satisfaction were often considered "nymphomaniacs", subjected to medical treatments designed to dampen their desires or were even committed to insane asylums. On the other hand, the sexual pleasure potential of women - denied and feared at the same time -  caused a great deal of anxiety among men. This became evident in many literary, artistic and musical works until well into the early 20th century. Plays, treatises, and novels by Strindberg, Weininger, Wedekind and Heinrich Mann testified to this overwhelming male fear. They described "vamps", i.e. women who, like insatiable vampires, sucked the life blood out of men, ruined and destroyed them. Women like Salome in the play by Oscar Wilde and the opera by Richard Strauss, Lulu in the play by Wedekind and Alban Berg's opera, but also Marlene Dietrich's "Lola" in "The Blue Angel" embody this male nightmare. Officially, however, female sexual health consisted in "modesty" , i.e. lack of sexual desire - the very same condition that today is believed to require treatment.
[Course 5] [Example: Women] [The Victorian Ideal] [Male Fears]